Much like travel literature, Distance on Ground, comprised of two long form improvisational tracks by Martha Skye Murphy and Maxwell Sterling, enacts the motion of journeying as it embarks on a discussion of it. Conceived as travel music, the compositions move between urban and rural landscapes and are accompanied by a participatory website--distanceonground.com-- where the listener can voyage in real time to and with the music in their chosen environment.

Born out of several improvised recording sessions, this body of work marks the beginning of Martha and Maxwell's collaboration. The immediacy of the way the music is created, captured and edited allows the listener to feel as if they are listening from within the studio it was recorded in.

Simon Whybray’s visual score for "Decay Time".

Turn Of Phrase is rooted in place and bound by time, yet is simultaneously unstuck in both of these things. The record spans a range of locales; the remote coastal town of Morecambe and its harshly beautiful surroundings, the technicolour glamour of the heart of LA, and London - a city whose maze of contrasting environments and tunnel-visioned bustle offers a totally blank slate.

The music however is anachronistic, technically guided by a strict set of rules based in time, the record’s memories and environments are allowed to wander and overlap. The familiar and the personal swirl and collide within an unfamiliar soundscape. The result acts something like a decaying memory, brief shining moments of clarity fighting against something unclear and untethered.